Dyeing Textiles with Cochineal
Lab Guide for Students
Reece Brown
Spring 2023
HIST GU4962: Making and Knowing in Early Modern Europe: Hands-On History
Adapted from chapter 5, “Recipes,” of Jo Kirby et al, Natural Colorants for Dyeing and Lake Pigments: Practical Recipes and their Historical Sources (Archetype, London, 2014).
MATERIALS
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Dyestuff (cochineal)
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mordant (alum)
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Mortar and pestle
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Coffee filter
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Water
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Textile - 25 g cotton bandana
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Thermometer
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Stirring stick
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Plate
Ratios of Materials
Textile (weight of fiber - WOF) : mordant (alum) : water
1g : 0.2g : 50g
Textile : cochineal : water
1 : 1.25g : 62.5g
PROCEDURE
Mordant bath
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Measure out water into pot
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Add alum and stir
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Place beaker onto hot plate and turn on to medium-low
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Stir to dissolve alum in the water
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Pre-wet textiles with water and wring them out to remove water
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Add textiles when alum solution reaches 70º C
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Heat the textiles for 20 minutes at 80-90º C, stirring occasionally to ensure homogenous absorption
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Remove textiles, then rinse them thoroughly in cold water
Extract Dye From Cochineal
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Using mortar and pestle, crush dyestuffs to a fine powder or into small pieces
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Measure out water and pour into pot
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Add dyestuffs to drawstring bag, close tightly, add bag to water
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Place pot on stove, at medium-low
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Heat the bath (without the textiles) at 80-90 °C for 20 minutes, stirring occasionally
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After 30 minutes, remove dyestuffs in drawstring bag
Dye Textiles
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Add textiles to the dye bath (it is usually best to pre-wet textiles with water before adding)
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Heat textiles at 80-90 °C for 20 min, stirring occasionally to ensure homogeneous dyeing
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After 20 minutes, remove the textiles from the bath
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Being careful not to damage (or, if using wool, to felt the textile), wash textiles with clean water to remove any dye that has not bound to them
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When the water runs clear over the textiles and no color comes off the textiles, wring out excess water
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Lay out the textiles to dry
Reflection
On a separate piece of paper, write a paragraph about the experience using one of the guiding questions below:
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How can we connect art, science, and nature through sustainable practices?
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What is the value in reconstructing historical procedures?
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What is the importance of understanding where materials come from?
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What went differently than expected? How did you react to these situations?